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bbook: Edith Scob in Holy Motors. Leos Carax (2012) and Les Yeux sans Visage. Georges Franju (1960)  I do live on this island called cinema but I never think terms of genre. People see lots of references in this film, I don’t. There are one or two but as references, I hope they serve. I think the best viewer for a film like this is someone who doesn’t know much about cinema, that’s why when I travel with the film, the further I go usually the closer I am to people who see the film in a way it was imagined which is not a cinephile. Hopefully if the film is successful, it’s about the experience of being alive today. Cinema permits us to see things like ghosts, but I don’t care too much anymore about cinema’s history.
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bbook: Edith Scob in Holy Motors. Leos Carax (2012) and Les Yeux sans Visage. Georges Franju (1960)  I do live on this island called cinema but I never think terms of genre. People see lots of references in this film, I don’t. There are one or two but as references, I hope they serve. I think the best viewer for a film like this is someone who doesn’t know much about cinema, that’s why when I travel with the film, the further I go usually the closer I am to people who see the film in a way it was imagined which is not a cinephile. Hopefully if the film is successful, it’s about the experience of being alive today. Cinema permits us to see things like ghosts, but I don’t care too much anymore about cinema’s history.
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bbook:

Edith Scob in Holy Motors. Leos Carax (2012) and Les Yeux sans Visage. Georges Franju (1960)

 I do live on this island called cinema but I never think terms of genre. People see lots of references in this film, I don’t. There are one or two but as references, I hope they serve. I think the best viewer for a film like this is someone who doesn’t know much about cinema, that’s why when I travel with the film, the further I go usually the closer I am to people who see the film in a way it was imagined which is not a cinephile. Hopefully if the film is successful, it’s about the experience of being alive today. Cinema permits us to see things like ghosts, but I don’t care too much anymore about cinema’s history.

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  1. unculturedmag reblogged this from bbook and added:
    Edith Scob in Holy Motors, Leos Carax (2012) and Les Yeux sans Visage, Georges Franju (1960) I do live on this island...
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  7. tearscalcifying reblogged this from bbook and added:
    Beautiful
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  10. bbook reblogged this from redvelvetteacake and added:
    I do live on this island called cinema but I never think terms of genre. People see lots of references in this film, I...
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